| ID |
Bilder |
Oljemålningar Från A till Z |
Information |
| 41185 |
|
A Genius on Pegasus Banishing Time |
mk157
Fresco
Diameter
|
| 51260 |
|
A Seated Man and a Girl with a Pitcher |
c. 1755
Oil on canvas,
160 x 54 cm |
| 62191 |
|
Abraham and Angels |
mk280 Oil on canvas 197 x 151cm |
| 92373 |
|
Abraham und die Engel, Pendant zu Hagar und Ismael |
Date Deutsch: um 1732
English: c. 1732
Medium oil on canvas
Dimensions Deutsch: 140 X 120 cm
|
| 51259 |
|
Adoration of the Magi |
1753
Ol on canvas,
408 x 210 cm |
| 84142 |
|
Alexander der Grobe und Campaspe im Atelier des Apelles |
c. 1725-1726
Medium Oil on canvas
Dimensions Deutsch: 54 x 74 cm
cjr |
| 87961 |
|
Alexander der GroBe und Campaspe im Atelier des Apelles |
Oil on canvas
Dimensions Deutsch: 54 x 74 cm
cyf |
| 62182 |
|
Alexander in the studio |
mk280 Oil on canvas 57.4 x 84.2cm |
| 52206 |
|
Allegory of Merit Accompanied by Nobility and Virtue |
1757-58 Fresco, 1000 x 600 cm |
| 79659 |
|
Allegory of the Planets and Continents |
185.4 x 139.4 cm
Oil on canvas
185.4 x 139.4 cm)
cjr |
| 83661 |
|
Allegory of the Planets and Continents |
1752(1752)
Medium Oil on canvas
Dimensions 185.4 x 139.4 cm
cyf |
| 86048 |
|
Anbetung der Heiligen Drei Konige |
Date 1753(1753)
Medium Oil on canvas
Dimensions 425 x 211 cm (167.3 x 83.1 in)
cjr |
| 51305 |
|
Angelica Carving Medoro's Name on a Tree |
1757 Fresco,
20 x 160 cm |
| 62179 |
|
Anthony portrait |
mk280 Oil on canvas 102 x 90cm |
| 62177 |
|
Apollo and Daphne |
mk280 Oil on canvas 96 x 79cm |
| 51270 |
|
Apollo and the Continents |
1752-53 |
| 51271 |
|
Apollo and the Continents |
1752-53 |
| 63761 |
|
Apollo and the Continents |
1752-53 Fresco, 1900 x 3050 cm Stairwell of the Residenz, W?rzburg The picture shows an overall view of the ceiling, photographed from below. The perspectival distortion at the edges of the overall view of the ceiling fresco tell us that this was never intended as a vantage point for the visitor. Instead, the fresco was to open out to the viewer as he ascended the staircase. Apollo is portrayed in the centre of the heavens, Venus and Mars rest on a cloud below him, while the zodiac appears on a band behind them with the four seasons to the left. The Horae can be recognized by their butterfly wings. The upper part of the fresco is meant to be viewed from the opposite angle and shows Mercury and, a little below him, the gods Diana, Jupiter and Saturn. The composition of the ceiling fresco takes into account the many viewpoints available to the visitor, who changes direction several times during his climb up the stairs, and who cannot take in the whole fresco at a glance. Tiepolo's achievements in composing this fresco are twofold: he takes into consideration the way in which only parts of the fresco are visible to the viewer as he climbs, and he presents independent pieces which nevertheless fuse into a harmonic whole. From the foot of the stairs the viewer first sees the continent of America, whose personification points with outstretched arm to a banner showing the mythical creature the griffin, a first allusion to the client. On entering the stairwell, a wider picture is revealed, giving a view of the dramatic cloud formations which push open the skies, and of the figure of Apollo, bathed in radiant light. Halfway up the first flight of stairs, more of the long sides of the fresco are revealed, with Africa on the right and Asia on the left. The groups of figures await the visitor almost like a court society. After this first flight, the viewer must change direction and now sees the portrayal of Europe for the first time on the short side opposite. The flourishing arts are symbolized here, partly personified by the artists involved in the construction of the Residence. Above them, the Prince-Bishop's portrait medallion is borne aloft through the heavens by geni and allegorical figures. Like Apollo, who cannot be seen from here, it too lets its light shine forth over the world. In comparison to the other Continents, the Europa fresco is statically conceived. This, and the sometimes frontal arrangement of its figures, causes the viewer to pause and so constitutes a first high point on the way to the Imperial Hall. The fresco was, therefore, never laid out with an overall view in mind, and the criticisms of the largely empty areas of sky at its centre which were later to be frequently voiced, are thus unfounded. Instead we are captivated by the harmonic perfection through which both architecture and painted decoration serve the same purpose: the magnificent staging of the ceremonial path through the Residence.Artist:TIEPOLO, Giovanni Battista Title: Apollo and the Continents Painted in 1701-1750 , Italian - - painting : mythological |
| 86287 |
|
Apollo and the Continents |
between 1752(1752) and 1753(1753)
Medium Oil on fresco
cyf |
| 61037 |
|
Apotheosis of Spain in Royal Palace of Madrid. |
Apotheosis of Spain in Royal Palace of Madrid. |
| 97864 |
|
Boy Holding a Book |
oil on canvas, New Orleans Museum of Art
Date c. 1747-50
cyf |
| 53840 |
|
Brollopsallegori |
mk234
1758 |
| 20704 |
|
Carnival Scene or the Minuet (mk05) |
Canvas 32 x 43 1/2''(81 x 111 cm)Pendant to The Tooth Puller Collection of Count Algarotti,Venice 1779;Beaqueathed in 1938 |
| 63767 |
|
Christ Carrying the Cross |
1737-38 Oil on canvas, 450 x 517 cm Sant'Alvise, Venice The subject of the painting is Christ's carrying of the cross to the hill of Golgotha, which rises up in the centre of the picture as a tall rock, the crosses already erected upon it. Directly beneath it in the foreground we see Christ in a flame red robe. He has collapsed under the heavy weight of the cross. To the right, Veronica, holding the sudarium, turns away from the dramatic scene, visibly moved. To the left, the two thieves likewise condemned to crucifixion are being led forward. In the exact centre of the picture, between Christ's cross and the hill of Golgotha, and directly facing the viewer, are the figures of Jesus' disciples, together with Mary and Mary Magdalene. Brightly illuminated, they stand out symbolically from the other figures.Artist:TIEPOLO, Giovanni Battista Title: Christ Carrying the Cross Painted in 1701-1750 , Italian - - painting : religious |
| 20709 |
|
Christ with the Woman Taken in Adultery (mk05) |
Canvas 44 x 70 1/2''(112 x 179 cm)Bequeathed in 1961;entered the Louvre in 1977 R.F |
| 41186 |
|
Cleopatra-s Banquet |
mk157
1746-47
Fresco
650x300cm
|
| 86460 |
|
Danae und Zeus |
c. 1736
Medium Oil on canvas
Dimensions Deutsch: 41 x 53 cm
cjr |
| 83411 |
|
Das Bankett der Cleopatra |
1743-1744
Medium Oil on canvas
Dimensions Deutsch: 249-349 cm
cyf |
| 61032 |
|
Death of Hyacinth. |
Death of Hyacinth. |
| 98248 |
|
Der Raub der Europa |
oil on canvas
Dimensions 99 x 134 cm
cyf |
| 41174 |
|
Diana and Actaeon |
mk157
1720-22
Oil on canvas
10x135cm
|
| 93686 |
|
Die Aussetzung des kleinen Moses in einem Binsenkorb im Wasser, Fragment, |
c. 1740
Medium oil on canvas
cjr |
| 90190 |
|
Die Enthauptung Johannes des Taufers |
c. 1732
Medium oil on canvas
cjr |
| 88092 |
|
Die Verstobung der Hagar |
1719(1719)
Medium Oil on canvas
Dimensions Deutsch: 96 x 136 cm
cjr |
| 51264 |
|
Discovery of the True Cross |
c. 1745
Oil on canvas |
| 41156 |
|
Donation of the Rosary |
mk157
1738-39
Fresco
1400x450cm
|
| 63764 |
|
Education of the Virgin |
1732 Oil on canvas S. Maria della Consolazione (Fava), Venice The figures in this altarpiece are portrayed more as the heroines of noble dramas than as saints. They combine true pathos with elegant sensuality, as if they were creatures of some higher human species. At the same time, however, they are firmly linked to our sense of everyday life through the descriptive details which are so naturalistic as to border on trompe-l'oeil. In the centre of the representation, in front of a magnificent architectural backdrop, stands Mary as a young girl, reading from an open book, and instructed by her mother, who sits next to her. Her father, standing to her right, is deep in prayer and has his eyes raised towards Heaven. What is striking about the composition, is the diagonal line which runs from the three angels' heads beneath the book to the three large angels above Mary, and which symbolizes the way to the Kingdom of Heaven.Artist:TIEPOLO, Giovanni Battista Title: Education of the Virgin Painted in 1701-1750 , Italian - - painting : religious |
| 91232 |
|
Ein junger Fahnentrager |
first half of 18th century
Medium oil on canvas
Dimensions 87 x 71,5 cm
cjr |
| 29986 |
|
Erection of a Statue to an Emperor |
mk67
Oil on cavnas
163 7/8x68 1/4in
Uffizi,Gallery
|
| 88477 |
|
Erscheinung der Madonna vor dem Hl. Philippus Neri |
1739-1740
Medium Oil on canvas
Dimensions 360 x 182 cm (141.7 x 71.7 in)
cjr |
| 90999 |
|
Erziehung Mariens |
c. 1732
Medium oil on canvas
Dimensions Deutsch: 362 x 200 cm
cjr |
| 90756 |
|
Eteokles und Polyneikes |
c. 1725-1730
Medium oil on canvas
Dimensions Deutsch: 383 x 182 cm
cjr |
| 51300 |
|
Eurybates and Talthybios Lead Briseis to Agamemmon |
1757 Fresco,
300 x 280 cm |
| 62178 |
|
Giovanni II as |
mk280 Oil on canvas 271 x 182cm |
| 63772 |
|
Glory of Spain |
1762-66 Fresco, 2700 x 1000 cm Throne Room, Palacio Real, Madrid The loading of a European ship with the treasures of the American continent is depicted in a direct allusion to the discovery of America by Christopher Columbus and to the Spanish conquest of the New World in the l6th century. The two Red Indians in the foreground, who throw themselves to the ground in front of the ship, symbolize the Europeans' victory over the natives.Artist:TIEPOLO, Giovanni Battista Title: Glory of Spain (detail) Painted in 1701-1750 , Italian - - painting : mythological |
| 63773 |
|
Glory of Spain |
1762-66 Fresco, 2700 x 1000 cm Throne Room, Palacio Real, Madrid The sea-goddess Thetis hovers on a cloud, together with her spouse Oceanus, and holds aloft a shell filled with treasures. Tritons and Nereids, who are meant to symbolize the riches of the sea, accompany the scene. The attempt to bridge the austere Classical golden frame using the group of figures and the orange tree at the lower edge of the picture (possibly a personification of the Province of Aragon), and to create the typical connection between the fresco and the space occupied by the viewer does not succeed here.Artist:TIEPOLO, Giovanni Battista Title: Glory of Spain (detail) Painted in 1701-1750 , Italian - - painting : mythological |
| 33802 |
|
Hagar and Ismael in the Widerness |
mk86
c.1732
Oil on canvas
140x120cm
Venice,Scuola di San Rocco
|
| 21925 |
|
Hagar and Ismael in the Widerness (mk08) |
c.1732
Oil on canvas
140x120cm
Venice,Scuola di San Rocco |
| 89247 |
|
Hagar und Ismael, Pendant zu |
c. 1732
Medium oil on canvas
Dimensions Deutsch: 140 x 120 cm
cjr |
| 92292 |
|
Hannibal betrachtet den Kopf des Hasdrubal |
oil on canvas
Dimensions Deutsch: 383 X 182 cm
cyf |
| 87551 |
|
Hannibal betrachtet den Kopf des Hasdrubal, aus Gemaldezyklus zur romischen Geschichte fur den Palazzo Dolfin in Venedig |
c. 1725-1730
Medium Oil on canvas
Dimensions Deutsch: 383 x 182 cm
cjr |
| 63765 |
|
John the Baptist Preaching |
1732-33 Fresco, 350 x 300 cm Cappella Colleoni, Bergamo The impressive figure of John the Baptist, delivering his sermon with raised forefinger from the top of a rock in the landscape, dominates the right-hand side of the picture. His cross staff and the lamb at his feet refer to the fate of Christ. The left-hand side of the picture is almost completely taken up by men, women and children, who listen spellbound to the sermon. The young woman placed in the very centre of the picture breast-feeding her child, who thus conforms to the standardized portrayal of the Madonna and Child, can be understood as an allusion to the birth of Christ, which is the subject of John's sermon.Artist:TIEPOLO, Giovanni Battista Title: John the Baptist Preaching Painted in 1701-1750 , Italian - - painting : religious |
| 62176 |
|
Joseph received the hand of Pharaoh, Central |
|
| 74987 |
|
Junge Frau mit Papagei |
c. 1758-1760
Oil on canvas
cjr
|
| 76744 |
|
Junge Frau mit Papagei |
English: c. 1758-1760
Medium Oil on canvas
cyf |
| 63759 |
|
Jupiter and Dana |
1736 Oil on canvas Universitet Konsthistoriska Institutionen, StockholmArtist:TIEPOLO, Giovanni Battista Title: Jupiter and Dana? Painted in 1701-1750 , Italian - - painting : mythological |
| 70765 |
|
konsul lucius brutus dod och hannibal igenkannande hasdrubals huvud |
1725-30
pa duk vardera 182x383cm
se |
| 70766 |
|
konsul lucius brutus dod och hannibal igenkannande hasdrubals huvud |
1725-30
pa duk vardera 182x383cm
se |
| 62186 |
|
Lantos s death |
mk280 Oil on canvas 287 x 232cm |
| 51267 |
|
Last Communion of St Lucy |
1747-48
Oil on canvas,
222 x 101 cm |
| 71959 |
|
Le martyr de Saint Barthelemy Huile |
Le martyr de Saint Barthelemy Huile 1722 par Giovanni Tiepolo, San Stae, Venise |
| 89262 |
|
Madonna mit Hl. Katharina, Hl. Rosa, die das Kind halt und der hockenden Hl. Agnes |
c. 1740
Medium oil on canvas
Dimensions Deutsch: 340 x 168 cm
cjr |
| 52190 |
|
Madonna of the Goldfinch |
c. 1760 Oil on canvas |
| 41056 |
|
Maeccenas Presenting the Liberal Arts to Augustus |
mk159
1743
Oil on canvas
69.5x89cm
|
| 62181 |
|
Mandolin played the young woman |
mk280 Oil on canvas 92.1 x 74.9cm |
| 1615 |
|
Mercury Appearing to Aeneas |
1757
Villa Valmarana, Vicenza |
| 41172 |
|
Miracle of the Holy House of Loreto |
mk157
1744-45
Oil on canvas
1744-45
|
| 62185 |
|
NA ER where more and Amida in the garden |
mk280 Oil on canvas 186.8 x 259.9cm |
| 86750 |
|
Neptun bietet der Stadt Venedig Opfergaben |
Date 1748-1750
Medium Oil on canvas
Dimensions Deutsch: 135 x 275 cm
cjr |
| 91632 |
|
Neptun bietet der Stadt Venedig Opfergaben |
1748-1750
Medium oil on canvas
Dimensions Deutsch: 135 X 275 cm
cyf |
| 41129 |
|
Neptune Bestowing Gifts upon Venice |
mk157
1748-50
Oil on canvas
135x275cm
|
| 62184 |
|
Opening time the truth |
mk290 Oil on canvas 231 x 167cm |
| 90777 |
|
Opfer der Iphigenie |
Mid-18th century
Medium oil on canvas
Dimensions Deutsch: 53 x 41 cm
cjr |
| 62175 |
|
Our Lady of the education |
mk280 Oil on canvas 262 x 200cm |
| 41158 |
|
Pala delle Tre Sante |
mk157
c.1748
Oil on canvs
340x168cm
|
| 31786 |
|
Perseus and andromeda |
mk76
Painted probably in 1730
Oil on paper,affixed to canvas
20 3/8x16in
|
| 38194 |
|
Perseus and Andromeda |
mk29
c.1730
Oil on paper affixed to canvas
51.8x40.6cm
|
| 62183 |
|
Pilgrims son |
mk280 Oil on canvas 228 x 160cm |
| 41216 |
|
Portrait of A Procurator and Admiral From the Dolfin family |
mk157
1749-50
Oil on canvas
235x158cm
|
| 1619 |
|
Portrait of Antonio Riccobono |
1743-45
Pinacoteca dell'Accademia dei Concordi, Rovigo |
| 88969 |
|
Portrat des Antonio Riccobono, Fragment |
c. 1745
Medium oil on canvas
Dimensions Deutsch: 120 x 90 cm
cjr |
| 77547 |
|
Portrat eines Prokurators |
ca. 1750(1750)
Oil on canvas
235 ?? 158 cm (92.5 ?? 62.2 in)
cjr |
| 20706 |
|
Presenting Christ to the People (Ecce Homo) (mk05) |
Canvas 26 x 17''(66 x 43 cm)Given in 1949;entered the Louvre in 1974 |
| 28685 |
|
Queen Zenbia before Emperor Aurelian |
mk61
c.1717
Oil on canvas
250x500cm
|
| 53841 |
|
Queen Zenobia talk to their soldiers |
mk234
about 1730
262x366cm |
| 33800 |
|
Rachel Hiding the Idols from her Father Laban |
mk86
1726-1728
Fresco,Height
c.500cm
Width c.400cm
Udine,Palazzo Arcivescovile
|
| 21923 |
|
Rachel Hiding the Idols from her Father Laban (mk08) |
1726-1728
Fresco,height
500x400cm
Udine,Palazzo Arcivescovile |
| 20705 |
|
Rebecca at the Well (mk05) |
Canvas 33 x 41''(84 x 105 cm)Given by the Comtesse Bismarck in 1975;entered the Permanent collection in 1981 R.F |
| 51306 |
|
Rinaldo Abandoning Armida |
1757 Fresco,
220 x 310 cm |
| 29989 |
|
Rinaldo Abandons Armida |
mk67
Oil on canvas
27 9/16x52in
Uffizi,Gallery
|
| 33799 |
|
Rinaldo and Armida |
mk86
1753
Oil on canvas
104.8x143cm
Munich,Bayerische Staatsgemaldesammlungen
|
| 21922 |
|
Rinaldo and Armida (mk08) |
1753
Oil on canvas
104.8x143cm
Munich,Bayerische Staatsgemaldesammlungen |
| 29988 |
|
Rinaldo Sees Himself in Ubaldo's Shield |
mk67
Oil on canvas
27 3/16x52in
Uffizi,Gallery
|
| 90188 |
|
Rinaldo und Armida werden von Ubaldo und Carlo uberrascht |
1755(1755)
Medium oil on canvas
Dimensions Deutsch: 187 x 260 cm
cjr |
| 91210 |
|
Rinaldo und Armida, Entwurf fur gleichnamiges Munchner Gemalde |
c. 1753
Medium oil on canvas
Dimensions Deutsch: 39 x 62 cm
cjr |
| 73376 |
|
Saint barthelemy |
Date of birth/death 5 March 1696(1696-03-05) 27 March 1770
cyf |
| 62190 |
|
Saint Joseph and the Son |
mk280 Oil on canvas 63 x 38cm |
| 43272 |
|
Saints Maximus and Oswald |
mk170
circa 1745
Oil on canvs
58.4x32.4cm
|
| 58457 |
|
Samson |
mk261 years 1660 Oil Painting on canvas 128 x 97.5 cm |
| 33801 |
|
Sarah and the Archangel |
mk86
1726-1728
Udine,
|
